Elevating Black Theatre: Embracing Readings and Recognizing Talent

Black theatre, within the rich tapestry of performing arts, serves as a poignant testament to the depth of culture, history, and creativity within the black community. From the groundbreaking narratives of August Wilson to the contemporary innovations of playwrights like Tarell Alvin McCraney, black theatre resonates with audiences and amplifies essential stories. Yet, behind each captivating stage production lies an often-overlooked process: the crucial readings and rehearsals that refine and shape the final performance.

Before a play graces the spotlight, it embarks on a developmental journey critical for black theatre’s authenticity and impact. Readings, workshops, and rehearsals provide a platform for playwrights, directors, and actors to delve into themes, characters, and dialogue with depth and nuance. Particularly for black theatre, these early stages hold immense significance, allowing artists to explore complex issues of identity, race, and social justice authentically.

The necessity for black theatre readings arises from a commitment to ensuring accurate and respectful representation of black, brown, and LGBTQ communities. Through collaborative table reads and workshops, artists refine scripts, tackle challenging themes, and celebrate the diverse perspectives within the black diaspora. These readings serve as incubators for creativity and dialogue, empowering artists to elevate their craft and contribute meaningfully to the artistic landscape.

Moreover, black theatre readings offer a vital platform for emerging playwrights and performers to showcase their talents and amplify their voices. In an industry where opportunities for minority artists can be scarce, these readings provide essential connections with mentors, collaborators, and audiences. By championing diversity and inclusivity throughout the creative process, black theatre readings enrich the artistic community and foster greater representation and equity.

In addition to honoring the significance of readings, it’s essential to celebrate the contributions of black, brown, and LGBTQ writers and performers in theatre. Often marginalized or overlooked, these trailblazing artists have shaped and enriched black theatre with their extraordinary talents. From luminaries like Lorraine Hansberry to Sidney Poitier, their voices deserve recognition and celebration.

Our commitment to black theatre extends beyond homage to classic works; it encompasses nurturing new talent and amplifying underrepresented voices. By providing opportunities for Philadelphia theatre makers to direct and narrate readings of Broadway classics, we broaden the scope of inclusivity and creativity within the industry. These readings not only provide a platform for aspiring actors but also inspire audiences to witness the next generation of theatre talent.

In conclusion, black theatre readings are not merely a precursor to the final performance; they are an integral part of the creative journey, fostering collaboration, dialogue, and discovery. By embracing readings and honoring diverse talent, we ensure the continued vibrancy and relevance of black theatre in the performing arts landscape. Let us raise our voices, celebrate achievements, and embrace the transformative power of black theatre as we eagerly anticipate the next chapter of its evolution.

Casting call for our upcoming reading series..

🌟 Casting Call Announcement 🌟

Join us for an incredible opportunity to be part of Run Boy Run Productions’ new season, featuring thought-provoking plays that promise to captivate and inspire. We’re on the lookout for talented individuals to bring these unforgettable characters to life.

  1. “Mental Prison” by Run Boy Run Productions
    Four young men embark on a transformative journey as they engage in counseling sessions with inmates at Holmesburg Prison, where life-altering decisions hang in the balance. Experienced elders guide the young men to a profound realization: there’s a common thread in life’s experiences, and they themselves have transformed from victims to offenders.
  2. “Eclipsed” by Danai Gurira
    Set in the midst of the tumultuous Liberian Civil War, this powerful play tells the story of captive wives of a rebel officer who unite to create a delicate community. However, the arrival of a new girl disrupts the equilibrium of their lives, leading to a gripping tale of survival, resilience, and unity.
  3. “Top Dog/Underdog” by Susan Laurie Parks
    Delve into the complexities of the adult lives of two African-American brothers as they grapple with issues such as poverty, racism, employment, relationships, and their challenging upbringings. This play offers a raw and intense exploration of brotherhood and identity.

If you’re an actor with a passion for the stage and a desire to bring these powerful stories to life, we want to hear from you! Auditions will be held soon, and we’re excited to see your talent shine.

Stay tuned for audition details and updates on our upcoming productions. Get ready to be a part of an unforgettable journey with Run Boy Run Productions. 🎭🎬 #CastingCall #Theatre #ActorsWanted

2nd Phase Done…

Well people we finally finished the second stage of our musical by doing a reading of selected songs from the play. It’s been work and more too come. We have been in the studio working on the music too release some time this year and are not far from finishing that as well. The goal next is for stage 3 and 4 where we do a conversation with individuals that can tell stories of experiences dealing with the criminal justice system and the other present all the songs at the next philly theatre week in

February. Working on a musical has been a journey but we have learned so much and just too think our final stage will be August/September where the full production will be going up. Stay tuned.

AWOKE: The Musical through the stages…

So if you didn’t know we are in the middle of preproduction of Awoke the musical and it’s been a great journey. We have been diligent in creating this too be one that many will enjoy. Over the weekend myself, photographer Lina Baker and makeup artist Melissa Mosqueda along with actor,comedian Jamaal White got together at one of my favorite spots in the city Germantown Espresso Bar for the Awoke: The Musical covet shoot. It was fun just watching the process. Makes it even more curious as to seeing the final look of this when it all said and done.

Check the rest of the story on (Awokethemusical Instagram page)

Our choices of music for the production has been the challenge that I felt would be the thing that would bring the story together. For me that was a no brainer but to bring onboard creatives such as Vince Brown and Rugrat Nam to create the sounds and songs we felt would not only be direct in pulling together the story but holding on to the crowds attention as well.

Getting into the sounds of Awoke

With music it often becomes the life journey of a play and or film. As Karen’s work we all felt the need to make sure each piece represented not just the characters being portrayed but the ones that most likely would relate to them as well. We only have two more songs to go before we are done with the soundtrack but boy what a collaborative journey this one is for us all. Our casting went well and for the next blog we will talk about the cast.

It’s okay….

Last week I had a reminder that what I was doing was ok. As I was having a bad day and feeling down about the direction I was taking. I was at a gathering when someone said to me “man you are busy Run Boy Run Productions is everywhere!” I paused Smiled and said thank you. The funny part is that when I walked into the building I had been in my feelings and felt like I was doing things wrong and that looking out for others was setting myself up for failure. It was in that moment when she said those words it helped me to understand what I was doing was ok and looking out for others was ok too. I felt so good about that moment then other things started popping up on my time line that also leaned into helping me to understand what I was doing was ok. After awhile I made sure I got on my messenger and let the UE family know about this as I look at the moments as a reflection of them and what we all have made. In my mind I am no more then a person that allows others to bring strength and life into a creation and when they do it is noticed. With that being said I told them how proud I am of them and all they have done throughout the years. For me so many deserve the praise that comes with this and through the years many and I’m not talking about just the actors but the collaborators, the team members, and the volunteers without any this feeling of strength is because of them. And with that moment I sat down to understand and feel ok.

Underground 2017

Over the weekend we wrapped up underground episode. This was a test on how to run a show for two weeks and I must say there was a lot to be learned but it is definitely worth it. First things first, the cast compose of both veterans and newbies with a short timeframe of two months to learn probably one of the most challenging work that some of them have been a part of. For many including myself it was jumping from one production to another that was a challenge however for others it was just coming in and beginning the task at hand.

This time around we utilized collaborating with makeup artist Andrea Blassingame to create the looks, set up radio time for interviews, bloggers, and paid advertising in the metro Philly to get the word out on the production. We also utilized the site which the facility used instead of going the eventbrite way.

It was scary but I had to see what we could do and the end result turned out to be what we wanted. Now we are gearing up for next year to actually take advantage of all we learned.

The beauty of it all was swing how no matter what RunBoyRunProduction still continues to grow as a family and in the end this makes for good business.

How will you stand up to Bullying? 

Since our beginning RunBoyRunProduction has believed that art is the best way to tell not only stories but how reality is affected daily but the average person. One of our most impactful stories has been “Bully” (performed here by Ra Wilson) which is a story about a young man that got expelled from school but as he tells it they thought he was the bully but it turns out that he was the one being bullied. 


For many of us the story is relatable especially if you come from the 80s and 90s when it was always those of us that were nerds that were being bullied. I tell you from experience being bullied as a kid was not a happy moment for me. Whether it was done by high school jocks or just someone who though I was an easy target my terror as a child was often followed by rage and regrets. However as an artist I had an outlet and that was being able to write, act, dance or draw the need to have an outlet was important In getting through such pain. 

Because art was my outlet as a child for so many things, I make it my duty to do such for others after all we all need someone to listen to our stories. As I said before Ra has been doing bully since its incarnation and has since grown as an actor doing films and becoming a playwright himself. So now as we go into our forth year Ra has decided to pay it forward and give the role to a young up and coming Quashawn White as he makes his stage debut. 


Bullying is not a laughing matter and in this day in time it has taken on a new form with the days of social media that it’s panic and terror has been one that many of us can’t turn our eyes from. However what we can do is stand up and fight for those that that need a voice those that need and outlet that in the end will look to you and say thank you for showing me how to stand.. How will you stand up to bullying? 

It Begins 

  The cast made it down after a long haul 4hrs drive in a van and Nic in a car but they made it. I really wanted to get them settled in but because of time we had to get ready for the show. Everyone flipped around flopped around but changed into characters as fast as they got here and it was showtime.

  
The crowd was thin but this was with the right people to get more out. With journalist, photographs,vlogers and blogers on hand all this meant was Friday was going to be the turn up show. In the end all that came enjoyed and event shed tears. Last words said I can’t wait to see this again. Let’s get ready people more to come..

  

A Womans Rythm 

In a place that was once the Women’s Kensington Hospital the ancestry of women speak. Drum like a lady Latrice and Jamillah allowed the sounds of the drum to bring in the spirits as the crowd couldn’t help but participate as the heard the drum of the mothers like it was the heart beat of our beginning of rhythm. Showing us rhythm through beat boxing bring the people together through life of rhythm.  

But song can be created through woven rhythm as well as Lynda Grace shows in her she utilizes fiber woven vessels to create a medium ancestry speaking from a past life of mothers wombs to life’s moments of meeting individuals from scrap metal collectors to the black lives matters experience. Beginning from the grandmother showing her and watching her knit, her knitting was a form of community seeing that words can build a shield.
 
Although they have meet in conjunction with this project the art that speaks through Lynda’s has has extended into the photography of Sheenas.

Sheena Garcia speaks through pictures with stories ranging from single mothers protecting their sons and seeing the need to hold on to a sons life with a black and white imagery that leaves you understanding why these lives matter. 
  
The owner of this building Betsey Casanas maybe short in stature but her calling as an artist speaks to a higher level as she opens the doorway into her culture with demential artistry that looks as alive as the the cock story tale that began the piece.  Engulfed in enjoyment roots energy and culture the people came in the building getting a story fluid with diversity but in the end containing a wholeness that only these women could spin.

Sold Performance 

Some performances are made off of just talent a person believing that to be an actor is all about just learning how to nail the line. Truth is its about more than that in many cases it’s about the unwritten words that show in facial expressions the crinkle in your voice the eyes drawing the audience in. 

  
For Nichole Spain she has drawn off that energy to latch people into another descent of acting and theater that most look at as passé. Truth is it is here where actors have to rely on the courage within the soul of self and not just the ability to speak because here your emotions must become believable. 

  
In this world she can find her comfort but it is only when she believes in self that all else will not matter and the ticket brought on this day is marked sold because all now believe.