Elevating Black Theatre: Embracing Readings and Recognizing Talent

Black theatre, within the rich tapestry of performing arts, serves as a poignant testament to the depth of culture, history, and creativity within the black community. From the groundbreaking narratives of August Wilson to the contemporary innovations of playwrights like Tarell Alvin McCraney, black theatre resonates with audiences and amplifies essential stories. Yet, behind each captivating stage production lies an often-overlooked process: the crucial readings and rehearsals that refine and shape the final performance.

Before a play graces the spotlight, it embarks on a developmental journey critical for black theatre’s authenticity and impact. Readings, workshops, and rehearsals provide a platform for playwrights, directors, and actors to delve into themes, characters, and dialogue with depth and nuance. Particularly for black theatre, these early stages hold immense significance, allowing artists to explore complex issues of identity, race, and social justice authentically.

The necessity for black theatre readings arises from a commitment to ensuring accurate and respectful representation of black, brown, and LGBTQ communities. Through collaborative table reads and workshops, artists refine scripts, tackle challenging themes, and celebrate the diverse perspectives within the black diaspora. These readings serve as incubators for creativity and dialogue, empowering artists to elevate their craft and contribute meaningfully to the artistic landscape.

Moreover, black theatre readings offer a vital platform for emerging playwrights and performers to showcase their talents and amplify their voices. In an industry where opportunities for minority artists can be scarce, these readings provide essential connections with mentors, collaborators, and audiences. By championing diversity and inclusivity throughout the creative process, black theatre readings enrich the artistic community and foster greater representation and equity.

In addition to honoring the significance of readings, it’s essential to celebrate the contributions of black, brown, and LGBTQ writers and performers in theatre. Often marginalized or overlooked, these trailblazing artists have shaped and enriched black theatre with their extraordinary talents. From luminaries like Lorraine Hansberry to Sidney Poitier, their voices deserve recognition and celebration.

Our commitment to black theatre extends beyond homage to classic works; it encompasses nurturing new talent and amplifying underrepresented voices. By providing opportunities for Philadelphia theatre makers to direct and narrate readings of Broadway classics, we broaden the scope of inclusivity and creativity within the industry. These readings not only provide a platform for aspiring actors but also inspire audiences to witness the next generation of theatre talent.

In conclusion, black theatre readings are not merely a precursor to the final performance; they are an integral part of the creative journey, fostering collaboration, dialogue, and discovery. By embracing readings and honoring diverse talent, we ensure the continued vibrancy and relevance of black theatre in the performing arts landscape. Let us raise our voices, celebrate achievements, and embrace the transformative power of black theatre as we eagerly anticipate the next chapter of its evolution.

Underground 2017

Over the weekend we wrapped up underground episode. This was a test on how to run a show for two weeks and I must say there was a lot to be learned but it is definitely worth it. First things first, the cast compose of both veterans and newbies with a short timeframe of two months to learn probably one of the most challenging work that some of them have been a part of. For many including myself it was jumping from one production to another that was a challenge however for others it was just coming in and beginning the task at hand.

This time around we utilized collaborating with makeup artist Andrea Blassingame to create the looks, set up radio time for interviews, bloggers, and paid advertising in the metro Philly to get the word out on the production. We also utilized the site which the facility used instead of going the eventbrite way.

It was scary but I had to see what we could do and the end result turned out to be what we wanted. Now we are gearing up for next year to actually take advantage of all we learned.

The beauty of it all was swing how no matter what RunBoyRunProduction still continues to grow as a family and in the end this makes for good business.

Believability 

  • The best acting is instinctive. It’s not intellectual, it’s not mechanical, it’s instinctive.
    ~ Craig MacDonald

    He walked ín took his place with an introduction and waited for time. He stood with paper in hand and began speaking words that he had never seen before and made others see him as believable. His became the husband and seeing the picture of his wife made it clear that he wasn’t just being thrown in a moment but a believability of a situation that could be…

    

Your In…

If there is one thing that we all know from experience,fitting in isn’t always that easy. In theater being able to fit in means more as it deals with having the ability to show fellow cast mates that you have what it takes to nail a line a character and all that within the first time they see you in rehearsal. The best part of this is when you take your last breath after the last line after the last action and you hear nothing but claps it means you have done what you came to do and you have now been initiated into the fold. 



The journey 

We start our journey again with both vets and newbies in this years cast of underground episodes and you’ll be meeting and seeing them all in postings In time. This time around we start a little early with rehearsals and find out how well many have retained the pieces since its been almost a year since last performed. Like a bike the expectations are always to be able to get on and begin to peddle away but we all had to remember the best part is in the refreshing of the lines and positions we put in play from last time around. It was fun reintroducing everyone as well as introducing new members to the ensemble and there are still more members to come. Seeing everyone was a refreshing moment for me as it brought me closer to the understanding as to what my goal is in the accomplishment of the play this time around and that is to truly establish a facility in Philadelphia where this journey can take on its on course for the cast that many actors in philly don’t get a chance to say and that is in — at — ..



New year new brew

Happy 2015 everyone and as it pushes forward Run Boy Run Production is moving at a pace to keep up with the changes. As you all know the modem ears of RBRPROD are involved in many different fields of arts and entertainment. With members Terrance Jones forming DDG as they assist in reinventing artist in Philadelphia and helping them to get to that next level and Brittany Mckeithan acting in film and Loreal Wynn utilizing her time forming Will2Wynn non profit organization and Tyrone Harrison taking his InFlight to another level beyond visuals of a camera,each member are doing whats necessary to bring 2015 a different element.

IMG_0982

Sunday rehearsal

IMG_4841.JPG
As we draw closer to the play, we have picked up new members and practice is going well. Talents are putting their all into not only the words but the development of characters. In this scene Krissy Bogle is going over Movement and believe me her action and presence will be one to grab attention of the audience and that’s what talent is about making words become real before your eyes..
.

The Grind

IMG_4813.JPG
If there is anything that I am learning about theater is that from the beginning g to it’s end it contains a lot if work. I was so excited to see my co-director that I let her take the helm so I can focus on cast members and things they want to focus on like overall character development and giving them the latest news on or progress with the play. Another week done and the positives keep coming…