Tag: #playwright

Elevating Black Theatre: Embracing Readings and Recognizing Talent

Black theatre, within the rich tapestry of performing arts, serves as a poignant testament to the depth of culture, history, and creativity within the black community. From the groundbreaking narratives of August Wilson to the contemporary innovations of playwrights like Tarell Alvin McCraney, black theatre resonates with audiences and amplifies essential stories. Yet, behind each captivating stage production lies an often-overlooked process: the crucial readings and rehearsals that refine and shape the final performance.

Before a play graces the spotlight, it embarks on a developmental journey critical for black theatre’s authenticity and impact. Readings, workshops, and rehearsals provide a platform for playwrights, directors, and actors to delve into themes, characters, and dialogue with depth and nuance. Particularly for black theatre, these early stages hold immense significance, allowing artists to explore complex issues of identity, race, and social justice authentically.

The necessity for black theatre readings arises from a commitment to ensuring accurate and respectful representation of black, brown, and LGBTQ communities. Through collaborative table reads and workshops, artists refine scripts, tackle challenging themes, and celebrate the diverse perspectives within the black diaspora. These readings serve as incubators for creativity and dialogue, empowering artists to elevate their craft and contribute meaningfully to the artistic landscape.

Moreover, black theatre readings offer a vital platform for emerging playwrights and performers to showcase their talents and amplify their voices. In an industry where opportunities for minority artists can be scarce, these readings provide essential connections with mentors, collaborators, and audiences. By championing diversity and inclusivity throughout the creative process, black theatre readings enrich the artistic community and foster greater representation and equity.

In addition to honoring the significance of readings, it’s essential to celebrate the contributions of black, brown, and LGBTQ writers and performers in theatre. Often marginalized or overlooked, these trailblazing artists have shaped and enriched black theatre with their extraordinary talents. From luminaries like Lorraine Hansberry to Sidney Poitier, their voices deserve recognition and celebration.

Our commitment to black theatre extends beyond homage to classic works; it encompasses nurturing new talent and amplifying underrepresented voices. By providing opportunities for Philadelphia theatre makers to direct and narrate readings of Broadway classics, we broaden the scope of inclusivity and creativity within the industry. These readings not only provide a platform for aspiring actors but also inspire audiences to witness the next generation of theatre talent.

In conclusion, black theatre readings are not merely a precursor to the final performance; they are an integral part of the creative journey, fostering collaboration, dialogue, and discovery. By embracing readings and honoring diverse talent, we ensure the continued vibrancy and relevance of black theatre in the performing arts landscape. Let us raise our voices, celebrate achievements, and embrace the transformative power of black theatre as we eagerly anticipate the next chapter of its evolution.

The Dancer soars 

  In every moment we often have to take steps that speak to us years to the day of actual doing. The stage was set black light no sound no movement but we stood in a booth awaiting words to begin the tunes. Jody and I looked at each other then she said play it. The track came on and a voice spoke. Out from the darkness walked a young lady tall thin but strong in stance. 

 
The story had begun with a journey of engagement streaming between childhood to adulthood. She spoke of her times wanting to be free and in those moments the freedom was noticeable through leaps and bounds of a younger version in a tutu prancing with fun bringing life to the eyes that watched until they found moments within the story to tear. 

  
In the mist of this we began to feel our own spiritual movement understand that this story has more than one meaning. In the end many say this as a gospel of not just a dancers life but all as the music and dim lights came outpouring cheers filled the room and three generations of one took a bow Justine understood that this wasn’t the dancers last dance…

What is talent?

  
What is talent ? Talent is something that is noticed before it ever hits the stage pound is something that is noticed at a young age. When the cast saw Darryl and Kylia  come in to the rehearsal room it was an instant embrace after all this was a first time seeing them since June and July show. For new members to see them or should I say to hear them in a group chat was all they knew but on this day they would get the chance to see the talent that they possess on stage.  

The Art of Telling a Story 

  
There is a place of understanding when it comes to writing and Kash has shown that when it’s in honesty people will come out to see it. Over the weekend I had the honor of taking in Mr. Goins play VtoX with an ensemble cast that showed they have what it takes to bring characters to life this show about the many faces that are placed into the judicial system all connect in someway as we learn that this is and always will be big business. What audience, this was definitely worth as wild as it was shown in and interactive state allowing them to be part of the action and with in the breath of the play for many it is probably ring true to home with stories surrounding rape molestation wrongful incarceration abuse and again business. These stories were made to make you cry make you laugh and more than anything make you think to wear as you only can see one thing and that is the truth within the story.